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A história encenada: o processo do rei, de João Mario Grilo, a imagem melancólica de um país

dc.contributor.authorTavares, Mirian
dc.date.accessioned2018-12-07T14:58:28Z
dc.date.available2018-12-07T14:58:28Z
dc.date.issued2014
dc.description.abstractThis text analyses Joao Mario Grilo's film: O Processo do Rei (The King's Trial) (1989). Based on the trial of Afonso VI, the director was able to remain faithful to the seventeenth century historical setting, but at the same time give it a contemporary feel, while exploring eternal and recurrent aspects of the story itself. Cinema, in this film, works as a stage where the story reveals the scenography that history books habitually conceal. In order to thoroughly examine the issues raised by this text, the article discusses the relationship between cinema and theatre starting with the concept of mise en scene. What joins and separates these two artistic forms? How has cinema built its own mise en scene throughout its history while resorting mostly to editing?
dc.identifier.doi10.3989/arbor.2014.766n2010
dc.identifier.issn0210-1963
dc.identifier.issn1988-303X
dc.identifier.urihttp://hdl.handle.net/10400.1/12040
dc.language.isospa
dc.peerreviewedyes
dc.publisherLibreria Cientifica Medinaceli
dc.titleA história encenada: o processo do rei, de João Mario Grilo, a imagem melancólica de um país
dc.title.alternativeThe story staged: Joao Mario Grilo's o processo do rei, a melancholic image of a country
dc.typejournal article
dspace.entity.typePublication
oaire.citation.issue766
oaire.citation.startPagea118
oaire.citation.titleArbor
oaire.citation.volume190
person.familyNameTavares
person.givenNameMirian
person.identifier2270411
person.identifier.ciencia-id5410-5E1F-7E7E
person.identifier.orcid0000-0002-9622-6527
person.identifier.scopus-author-id36728535700
rcaap.rightsopenAccess
rcaap.typearticle
relation.isAuthorOfPublication0c062110-c1a5-4262-8e65-08377fc54d28
relation.isAuthorOfPublication.latestForDiscovery0c062110-c1a5-4262-8e65-08377fc54d28

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