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Abstract(s)
Departing from the assumption that cinema has always had the capacity to represent social structures
and movements and provide valuable sources of information about societal phenomena, this chapter
employs representation as a research approach to offer contributions to understanding realities “outside
the film” regarding literary tourists’ motivations, experiences, and literary places. The authors analyse
cinematic representations of literary tourism in feature films and take the perspective of literary tourism studies, reviewing the literature on cultural tourism, special interest tourism, niche tourism, literary
tourism, and literary sites and landscape. The analysis and interpretation of the cinematic sequences
reveal two opposed ideas of what literary tourism experiences might be: a shallow, disappointing, and
inauthentic experience or a meaningful and authentic event
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IGI Global