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- Subjective views: video art as a mirror of culture and artistic performancePublication . Henriques, Pedro Miguel; Jorge Agostinho Alves da Veiga, PedroThis article proposes the concept of documentary video art through the analysis of the role of subjectivity in videographic works of a documentary nature, as a record of artistic and cultural performances, demonstrating how the authorial perspective can enrich this type of record and broaden its interpretive horizons. Through a theoretical approach and the analysis of three case studies, Moon Moth Bed by Virginia L. Montgomery, A Love Song for Latasha by Sophia Nahli Allison, and Consonant Camera by E. V. Aleksandrov, the study explores how video art integrates documentary fidelity, poetic narrative, and aesthetic innovation. The concepts of the Consonant Camera, fragmented visual memories, and natural metaphors illustrate strategies that combine ethics, creativity, and cultural sensitivity. It is argued that video art, by transcending the boundaries between art and documentation, is an essential medium for preserving intangible cultural heritage and constructing narratives that blend critical reflection and aesthetic experience.