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Popular genres and transnational cinema in mediterranean Europe: Andre Hunebelle and the adventure movie

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Between the mid-1950s and the mid1970s, investment in film co-production among the countries of Mediterranean Europe led to the blooming of popular genres like the swashbuckler, peplum and euro-western. Often analysed from a purely national perspective, these films represent, however, a paradigmatic example of a transnational cinema that allowed the Italian, French and Spanish film industries to fight against the commercial hegemony of Hollywood cinema. Taking the career of director Andre Hunebelle as case study, this article proposes to analyse the role of co-production of adventure movies in the development of a transnational cinema in Mediterranean Europe.

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Asoc Estudios Ciencias Sociales & Humanidades

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