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"I make films to be seen": the narrative issue of Flora Gomes

dc.contributor.authorOliveira, Jusciele
dc.date.accessioned2019-10-11T14:24:56Z
dc.date.available2019-10-11T14:24:56Z
dc.date.issued2019
dc.description.abstractThe feature films by Flora Gomes: Mortu nega (1988), Udju azul di Yonta (1992), Po di sangui (1996), Nha fala (2002) and Republica di mininus (2012) narrate stories that speak of transits, music, woman, children, war, (neo) colonialism, cosmogony, life, death, love, birth, migration, tradition, modernity, collectivity; taking place in the countryside, or outdoors generally, in an ironic, critical and metaphorical tone of speech. In this sense, the present abstract "I make films to be seen": an analysis of the film narrative of Flora Gomes" proposes to shed light on the elements of narrative cinematography of the fiction films of Flora Gomes which are present in the speech, themes, soundtrack, orality, time, duration, space, camera movements, actors' preparation, the work of illumination of the black body, the scenery, and the visual metaphors of this director. Note that the present text is an extract of some of Gomes's trademarks from doctoral thesis defended in 2018.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.7559/citarj.v11i1.587
dc.identifier.issn1646-9798
dc.identifier.urihttp://hdl.handle.net/10400.1/12818
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade Católica Portuguesa, Centro de Investigação em Ciência e Tecnologia das Artespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectAfrican cinemaspt_PT
dc.subjectNarrative cinematographypt_PT
dc.subjectFlora Gomespt_PT
dc.title"I make films to be seen": the narrative issue of Flora Gomespt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage10pt_PT
oaire.citation.issue1pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleJournal of Science and Technology of the Arts / Revista de Ciência e Tecnologias das Artespt_PT
oaire.citation.volume11pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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