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Publication
Fly like a bird: Uma proposta de cartografia poética
| Name: | Description: | Size: | Format: | |
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| 18.84 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Desenvolvo neste trabalho uma análise da minha produção artística, na qual o desenho se assume ao mesmo tempo como objeto de criação e ferramenta de pensamento. Ao longo do mestrado, criei algumas obras que compõem um produto indissociável desta investigação. Traduzo nelas, pela forma pictórica, diversos conhecimentos históricos e científicos para os quais esta investigação visou contribuir. O presente projeto artístico assenta numa perspetiva cartográfica, relacionada com a paisagem e a memória. Para isso, dialoga com a história da pintura de paisagem e a perspetiva cartográfica, sem as quais não teria conseguido conduzir uma introspeção sobre o meu processo de criação. As influências de obras e artistas que participam no gesto de criar desta coleção de desenhos cartográficos também são destacadas. Enquanto metodologia, optou-se pela abordagem processual da criação e pela escrita de artista e por sua materialização especialmente por meio do desenho. É apresentado ao fim um projeto de exposição futura, cujo título, Fly like a bird, também nomeia este estudo. O projeto de exposição é composto por desenhos desenvolvidos ao longo do mestrado que retomam, pela materialidade do desenho, algumas questões acerca da paisagem, da perspetiva cartográfica e do território que foram visitadas ao longo desta investigação, em uma dupla reflexão complementar, realizada por meio do desenho e da escrita.
I develop in this work an analysis of my artistic production, in which drawing is assumed simultaneously as an object of creation and a tool for thought. Throughout the master’s program, I created several works that form an inseparable product of this research. Through pictorial form, I translate various historical and scientific knowledge to which this investigation aimed to contribute. This artistic project is based on a cartographic perspective, related to landscape and memory. To achieve this, it engages in dialogue with the history of landscape painting and the cartographic perspective, without which I would not have been able to conduct an introspection on my creative process. The influences of works and artists that contribute to the creative gesture of this collection of cartographic drawings are also highlighted. As a methodology, the processual approach to creation and the artist’s writing were chosen, materialized primarily through drawing. At the end, a future exhibition project is presented, titled Fly like a bird, which also gives its name to this study. The exhibition project consists of drawings developed throughout the master’s program that, through the materiality of drawing, revisit certain questions about landscape, cartographic perspective, and territory explored in this research, in a complementary double reflection conducted through drawing and writing.
I develop in this work an analysis of my artistic production, in which drawing is assumed simultaneously as an object of creation and a tool for thought. Throughout the master’s program, I created several works that form an inseparable product of this research. Through pictorial form, I translate various historical and scientific knowledge to which this investigation aimed to contribute. This artistic project is based on a cartographic perspective, related to landscape and memory. To achieve this, it engages in dialogue with the history of landscape painting and the cartographic perspective, without which I would not have been able to conduct an introspection on my creative process. The influences of works and artists that contribute to the creative gesture of this collection of cartographic drawings are also highlighted. As a methodology, the processual approach to creation and the artist’s writing were chosen, materialized primarily through drawing. At the end, a future exhibition project is presented, titled Fly like a bird, which also gives its name to this study. The exhibition project consists of drawings developed throughout the master’s program that, through the materiality of drawing, revisit certain questions about landscape, cartographic perspective, and territory explored in this research, in a complementary double reflection conducted through drawing and writing.
Description
Keywords
Processo de Criação Escrita de Artista Desenho Cartografia Paisagem Memória