| datacite.subject.fos | Humanidades | |
| dc.contributor.author | Nogueira, Adriana | |
| dc.date.accessioned | 2024-09-11T13:33:18Z | |
| dc.date.available | 2024-09-11T13:33:18Z | |
| dc.date.issued | 2024 | |
| dc.description.abstract | This chapter deals with the context of the use of the name Herakles/Hercules in the music scene in the twenty-first century. The chapter will examine lyrics and video clips (where available) by musicians from different languages (English and Portuguese) to understand how Hercules has been used by these artists: what they picked from the hero and what they left behind. Examples focused on are Hercules & Love Affair, the rap group Traffik & DJ Pro Style and the Brazilian rapper C4bal. The discussion will attempt to determine whether Hercules is only the myth or whether there is a more specific classical reference and reflect on why Hercules and not other heroes is referred to by considering the different meanings and referents of Hercules. | eng |
| dc.description.abstract | . | por |
| dc.identifier.doi | 10.1163/9789004696938_017 | |
| dc.identifier.isbn | 978-90-04-69575-7 | |
| dc.identifier.uri | http://hdl.handle.net/10400.1/25875 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.publisher | Brill | |
| dc.relation | Outros financiadores | |
| dc.relation.ispartofseries | Metaforms – Studies in the Reception of Classical Antiquity | |
| dc.rights.uri | N/A | |
| dc.subject | Music | |
| dc.subject | Classical reception studies | |
| dc.subject | Herakles | |
| dc.subject | Hercules | |
| dc.title | Hercules in Twenty-first-century Music | eng |
| dc.type | book part | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 377 | |
| oaire.citation.startPage | 363 | |
| oaire.citation.title | Hercules Performed: The Hero on Stage from the Enlightenment to the Early Twenty-First Century | |
| oaire.citation.volume | 25 | |
| oaire.version | http://purl.org/coar/version/c_ab4af688f83e57aa | |
| person.familyName | Nogueira | |
| person.givenName | Adriana | |
| person.identifier.ciencia-id | CF15-88FF-0B6A | |
| person.identifier.orcid | 0000-0002-5709-6870 | |
| person.identifier.rid | G-3392-2016 | |
| relation.isAuthorOfPublication | a0b79ff2-acc2-48d7-a2b0-8c50298da608 | |
| relation.isAuthorOfPublication.latestForDiscovery | a0b79ff2-acc2-48d7-a2b0-8c50298da608 |
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- This chapter deals with the context of the use of the name Herakles/Hercules in the music scene in the twenty-first century. The chapter will examine lyrics and video clips (where available) by musicians from different languages (English and Portuguese) to understand how Hercules has been used by these artists: what they picked from the hero and what they left behind. Examples focused on are Hercules & Love Affair, the rap group Traffik & DJ Pro Style and the Brazilian rapper C4bal. The discussion will attempt to determine whether Hercules is only the myth or whether there is a more specific classical reference and reflect on why Hercules and not other heroes is referred to by considering the different meanings and referents of Hercules.
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