Publicação
From the atelier populaire to artivism. Situationist strategies reimagined
| datacite.subject.sdg | 16:Paz, Justiça e Instituições Eficazes | |
| datacite.subject.sdg | 11:Cidades e Comunidades Sustentáveis | |
| datacite.subject.sdg | 04:Educação de Qualidade | |
| dc.contributor.author | Cavalcanti, Maria Cristina | |
| dc.contributor.author | Tavares, Mirian | |
| dc.contributor.author | Arantes, Priscila Almeida Cunha | |
| dc.date.accessioned | 2026-09-18T16:19:13Z | |
| dc.date.available | 2026-09-18T16:19:13Z | |
| dc.date.issued | 2025-11-26 | |
| dc.description.abstract | The following paper examines the progression of artivism by tracing the visual strategies employed by the Atelier Populaire during the May’ 68 protests, tactics influenced by the Situationist International, and investigates their relationship to contemporary artivist practices, particularly in the field of digital media art. The article focuses on the legacy of these strategies and explores the trajectories of Richard Hambleton, Blek le Rat and Banksy, emphasizing their contributions to social and political discourse through art. It highlights the prioritization of message over aesthetics, the democratization of public space, unsigned drawings, stencils, and other low-cost techniques, direct as well as symbolic imagery. The study concludes by examining the current relevance of artivism across various platforms, including digital media, and investigates how these new mediums reshape and amplify the scope and modalities of artivism in the contemporary context. | eng |
| dc.description.sponsorship | UIDP/04019/2025-CIAC | |
| dc.identifier.doi | 10.1145/3773699.3773713 | |
| dc.identifier.isbn | 979-8-4007-2001-7 | |
| dc.identifier.uri | http://hdl.handle.net/10400.1/29471 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.publisher | ACM | |
| dc.relation.ispartof | Proceedings of the 2025 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories | |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
| dc.subject | Artivism | |
| dc.subject | Atelier Populaire | |
| dc.subject | Situationism | |
| dc.subject | May’ 68 | |
| dc.subject | Digital media art | |
| dc.title | From the atelier populaire to artivism. Situationist strategies reimagined | eng |
| dc.type | conference object | |
| dspace.entity.type | Publication | |
| oaire.citation.conferenceDate | 2025 | |
| oaire.citation.title | Proceedings of the 12th international conference on digital and interactive arts, artech 2025 | |
| oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |
| person.familyName | Cavalcanti | |
| person.familyName | Tavares | |
| person.givenName | Maria Cristina | |
| person.givenName | Mirian | |
| person.identifier | 2270411 | |
| person.identifier.ciencia-id | 5410-5E1F-7E7E | |
| person.identifier.orcid | 0009-0006-5958-9069 | |
| person.identifier.orcid | 0000-0002-9622-6527 | |
| person.identifier.scopus-author-id | 36728535700 | |
| relation.isAuthorOfPublication | b6c7ab0e-d0d6-4b13-a777-0331b57cd68d | |
| relation.isAuthorOfPublication | 0c062110-c1a5-4262-8e65-08377fc54d28 | |
| relation.isAuthorOfPublication.latestForDiscovery | 0c062110-c1a5-4262-8e65-08377fc54d28 |