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Romy Schneider em Portugal: Cinema transnacional e censura no período Marcelista (1968-1974)
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O objetivo principal deste artigo é investigar a presença de Romy Schneider nos cinemas portugueses, em particular na região do Algarve, valorizando a dimensão transnacional do seu estrelato, e analisando, simultaneamente, os processos de censura aos filmes da atriz em Portugal. O período cronológico escolhido para este artigo vai de 1968 a 1974, ou seja, o período final da ditadura portuguesa, no qual Marcelo Caetano foi Presidente do Conselho de Ministros. Estes anos coincidem com uma representação da atriz no ecrã diferente daquela que a celebrizou nos anos 50, projetando uma imagem de pureza e candura, sobre tudo com a trilogia Sissi, a Imperatriz austríaca, e correspondem ao período áureo da sua carreira na indústria de cinema da Europa mediterrânea. Quais os comentários dos censores? Havia maior abertura nos critérios da censura aos filmes, no que respeita a mostrar imagens de corpo nu e a assuntos de ordem ética, nestes últimos anos da ditadura portuguesa? Estas são questões a que tentaremos dar resposta, tendo em conta o conteúdo dos relatórios e processos de censura. A investigação aqui apresentada desenvolveu-se nos arquivos do Secretariado Nacional da Informação e Turismo, nomeadamente nos processos de censura aos filmes estrangeiros, que estão depositados no Arquivo Nacional da Torre do Tombo (ANTT) em Lisboa.
The main objective of this paper is to analyze the presence of Romy Schneider in Portuguese cinemas, especially in the Algarve region, valuing the transnational dimension of herstardom, and simultaneously analyzing the processes of censorship of the actress’s filmsin Portugal.The chronological period chosen for this article goesfrom 1968 to 1974, i.e. the final period of the Portuguese dictatorship, during which Marcelo Caetano was President of the Council of Ministers. These years coincide with a different representation of the actress on screen from the one that made her famousin the 1950s, projecting an image of purity and candour, especially with the trilogy Sissi, the Austrian Empress. What were the censors’ comments? Was there more openness in the censorship criteria for films, regarding showing naked body images and ethical issues, in these last years of the Portuguese dictatorship? These are questions that we will try to answer, considering the contents of censorship reports. The research presented here was developed in the archives of the National Secretariat of Information and Tourism, namely in the foreign film censorship minutes, which are deposited in the National Archive of Torre do Tombo (ANTT) in Lisbon.
The main objective of this paper is to analyze the presence of Romy Schneider in Portuguese cinemas, especially in the Algarve region, valuing the transnational dimension of herstardom, and simultaneously analyzing the processes of censorship of the actress’s filmsin Portugal.The chronological period chosen for this article goesfrom 1968 to 1974, i.e. the final period of the Portuguese dictatorship, during which Marcelo Caetano was President of the Council of Ministers. These years coincide with a different representation of the actress on screen from the one that made her famousin the 1950s, projecting an image of purity and candour, especially with the trilogy Sissi, the Austrian Empress. What were the censors’ comments? Was there more openness in the censorship criteria for films, regarding showing naked body images and ethical issues, in these last years of the Portuguese dictatorship? These are questions that we will try to answer, considering the contents of censorship reports. The research presented here was developed in the archives of the National Secretariat of Information and Tourism, namely in the foreign film censorship minutes, which are deposited in the National Archive of Torre do Tombo (ANTT) in Lisbon.
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Palavras-chave
Romy Schneider Cinema transnacional Censura ao cinema em Portugal Marcelismo Cinema da Europa mediterrânea
Contexto Educativo
Citação
Editora
CIAC – Centro de Investigação em Artes e Comunicação, Universidade do Algarve