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Autores
Orientador(es)
Resumo(s)
This work presents the multimedia installation [Des]montagem, which articulates memory, history, and aesthetics through the appropriation and recontextualisation of archival materials related to repression during the Brazilian civil-military dictatorship (1964–1985). Rooted in concepts of memory and montage, the installation challenges the unequal formation of memory and the influence of dominant narratives in official history, while aiming to validate silenced voices. Drawing from the works of Walter Benjamin and Aby Warburg, [Des]montagem utilizes visual, auditory, and interactive components to establish a realm for confronting and contemplating the past and the present. The installation also includes a virtual version that broadens public access, enabling new forms of engagement. The project highlights the potential of digital art to politicise memory and foster critical thinking, showing that we are active agents in the construction of our own history.
Descrição
Palavras-chave
Archive Interface Montage Digital media art
Contexto Educativo
Citação
Editora
ACM
