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A presente investigação insere-se no campo da média-arte digital, utilizando o som como veículo central para explorar novas formas de representação e interação, procurando responder a questões sobre o papel do ambiente sonoro na construção da identidade e do sentido de si. No âmbito da realidade sonora individual, esta tese incide sobre o papel dos ambientes sonoros e da Sound Art na exploração de instâncias sonoras, de modo a desenvolver retratos sonoros experimentais de indivíduos. Para isso, parte de um universo de seis estudos de caso para o desenvolvimento destes retratos sonoros, através do artefacto My Mono No Aware, contrastando as suas criações e os processos que lhe são inerentes com o impacto junto dos retratados, em particular, analisando a forma como se reconhecem através dos mesmos. O artefacto desenvolvido oferece uma experiência rica em múltiplas dimensões, incentivando a reflexão profunda sobre o autorreconhecimento, as emoções e a efemeridade da vida, sendo necessária uma postura crítica sobre os seus limites e possibilidades, reconhecendo tanto o seu poder inovador quanto os desafios que se colocam numa era em que a relação entre o ser humano e a tecnologia é cada vez mais complexa e ambígua. Em conclusão, a análise dos dados recolhidos revela que o retrato sonoro é amplamente aceite como ferramenta para a reflexão e representação individual, com uma forte utilidade nas dimensões pessoal e emocional, destacando algumas limitações, mesmo que reduzidas, na sua aplicabilidade ao contexto profissional.
This research is part of the field of digital media art, using sound as a central vehicle to explore new forms of representation and interaction, seeking to answer questions about the role of the sound environment in the construction of identity and sense of self. In the context of individual sound reality, this thesis focuses on the role of sound environments and Sound Art in the exploration of sound instances, in order to develop experimental sound portraits of individuals. To do this, it starts from a universe of six case studies for the development of these sound portraits, through the My Mono No Aware artefact, contrasting their creations and the processes inherent to them with the impact on those portrayed, in particular, analysing how they recognise themselves through them. The artefact developed offers a rich experience in multiple dimensions, encouraging deep reflection on self-recognition, emotions and the ephemerality of life, requiring a critical stance on its limits and possibilities, recognising both its innovative power and the challenges posed in an era in which the relationship between human beings and technology is increasingly complex and ambiguous. In conclusion, the analysis of the data collected reveals that the sound portrait is widely accepted as a tool for reflection and individual representation, with a strong usefulness in the personal and emotional dimensions, but with some limitations, albeit small, in its applicability to the professional context.
This research is part of the field of digital media art, using sound as a central vehicle to explore new forms of representation and interaction, seeking to answer questions about the role of the sound environment in the construction of identity and sense of self. In the context of individual sound reality, this thesis focuses on the role of sound environments and Sound Art in the exploration of sound instances, in order to develop experimental sound portraits of individuals. To do this, it starts from a universe of six case studies for the development of these sound portraits, through the My Mono No Aware artefact, contrasting their creations and the processes inherent to them with the impact on those portrayed, in particular, analysing how they recognise themselves through them. The artefact developed offers a rich experience in multiple dimensions, encouraging deep reflection on self-recognition, emotions and the ephemerality of life, requiring a critical stance on its limits and possibilities, recognising both its innovative power and the challenges posed in an era in which the relationship between human beings and technology is increasingly complex and ambiguous. In conclusion, the analysis of the data collected reveals that the sound portrait is widely accepted as a tool for reflection and individual representation, with a strong usefulness in the personal and emotional dimensions, but with some limitations, albeit small, in its applicability to the professional context.
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Palavras-chave
Média-arte digital Retrato sonoro Identidade Ambiente sonoro Autorreconhecimento Representação individual Interação sonora Experiência imersiva Tecnologia e subjetividade