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Publicação
Cinematic motion by hand
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Autores
Orientador(es)
Resumo(s)
The general goal of my research is to find out what is questioned whenever an animated film is
made by an author who chooses to have maximum control over the device automatisms. I am
trying to understand in what ways that specific kind of film relates with Cinema and the History
of Art as a whole and, more specifically, how its filmic discourse is built within cinematic codes,
workings and machinery.
This paper, in particular, aims to establish that each time an author makes a film by
suspending both automatic ‘motion’ and image recording functions—that which is often known
as “cameraless” film—a process is initiated that simultaneously questions not only Cinema, within
both expression and technology, but also the ontological position this same technology occupies
in current media.
Descrição
Palavras-chave
Animation poetics
Contexto Educativo
Citação
Animation Studies – Vol.1, 2006