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Publication
A influência do território nos processos criativos de uma trilogia de curtas-metragens
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| 32.55 MB | Adobe PDF |
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Abstract(s)
Esta dissertação pretende estudar o processo criativo multidisciplinar da trilogia composta pelas curtas-metragens A internet matou o Chester Bennington, Aunque es de noche e Sofia e o Gajo do Fogo. Tendo como base metodológica os conceitos de crítica genética, explorados por Cecília Almeida Salles e Vincent Colapietro, e de auto-etnografia aplicada à criação de cinema, esta análise partirá da perspetiva do realizador relativamente à realidade sociocultural e histórico-geográfica da região do Algarve, onde duas das três curtas-metragens foram filmadas. Com o objetivo de enquadrar os processos criativos nas especificidades dos territórios em que se localizaram, serão citadas entrevistas a profissionais da área residentes na região. Serão contextualizadas abordagens teórico-metodológicas do processo criativo da ideia inicial até à estreia da trilogia e, também, citadas entrevistas a cocriadores da trilogia, de forma a abranger diferentes perspetivas sobre os processos criativos. Serão articuladas as particularidades da construção da equipa técnica e elencos, os constrangimentos provocados pela Covid-19 e as limitações temporais, a evolução do trabalho dramatúrgico e a influência teatral nos processos. Por último, serão sugeridas conclusões acerca dos processos criativos e da realidade cinematográfica no Algarve, de acordo com recomendações de boas-práticas a nível nacional, europeu e mundial.
This dissertation aims to study the multidisciplinary creative process of the trilogy composed by the short films The internet killed Chester Bennigton, Aunque es de noche and Sofia e o Gajo do Fogo. Based on the concepts of genetic criticism, explored by Cecília Almeida Salles and Vincent Colapietro, and self-ethnography applied to cinema creation, this analysis will start from the perspective of the director regarding the socio-cultural and historic-geographical reality of the Algarve region, where two of the three short films were filmed. In order to frame the creative processes in the specificities of the territories where they were located, interviews will be conducted with professionals based in the area. Theoretical and methodological approaches of the creative process from the initial idea to the premiere of the trilogy will be contextualized and also interviews cited to co-creators of the trilogy, in order to cover different perspectives on creative processes. The particularities of the construct of the technical team and cast, the constraints caused by Covid-19 and time limitations, the evolution of the dramaturgical work and the theatrical influence will be articulated. Finally, conclusions will be suggested about the creative processes and the cinematographic reality in the Algarve, according to recommendations of good practices at a national, European and worldwide level.
This dissertation aims to study the multidisciplinary creative process of the trilogy composed by the short films The internet killed Chester Bennigton, Aunque es de noche and Sofia e o Gajo do Fogo. Based on the concepts of genetic criticism, explored by Cecília Almeida Salles and Vincent Colapietro, and self-ethnography applied to cinema creation, this analysis will start from the perspective of the director regarding the socio-cultural and historic-geographical reality of the Algarve region, where two of the three short films were filmed. In order to frame the creative processes in the specificities of the territories where they were located, interviews will be conducted with professionals based in the area. Theoretical and methodological approaches of the creative process from the initial idea to the premiere of the trilogy will be contextualized and also interviews cited to co-creators of the trilogy, in order to cover different perspectives on creative processes. The particularities of the construct of the technical team and cast, the constraints caused by Covid-19 and time limitations, the evolution of the dramaturgical work and the theatrical influence will be articulated. Finally, conclusions will be suggested about the creative processes and the cinematographic reality in the Algarve, according to recommendations of good practices at a national, European and worldwide level.
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Keywords
Processos criativos Cinema Multidisciplinar Portugal Território Literacia Algarve