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Vídeocorporicidade: experimentações em videodança
| Name: | Description: | Size: | Format: | |
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| 10.77 MB | Adobe PDF |
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Abstract(s)
A pesquisa buscou investigar e analisar os processos, poéticas, metodologias, estratégias e dispositivos utilizados na criação de videodanças, além de verificar e analisar a relação entre videodança e espaço urbano da cidade de Cataguases (Minas Gerais, Brasil). Interroga que processos estéticos e metodológicos geraram os produtos, videodanças, os quais são fundamentais na nossa era digital, pois contribuem não somente nos processos de criação, mas também na difusão artística, resultando em visibilidade e sustentabilidade. O método adotado foi a investigação baseada na prática (Candy & Edmonds, 2010; Candy, 2006; Scrivener, 2000), proposta metodológica para investigações em arte, que se nutre da prática como pesquisa em que teoria e prática dialogam sempre. Na metodologia foi desenvolvido um processo criativo em videodança, com bailarinos e pesquisadores da cidade. Como resultado da pesquisa, quatro videodanças foram produzidos, e destacamos que entre as estratégias de criação, tivemos a exploração do espaço urbano através de exercícios que evidenciaram a relação entre dança, vídeo e cidade, a contextualização de características históricas e culturais da arquitetura moderna presente no espaço urbano e o processo, como um todo, se deu de forma colaborativa, característica de destaque na produção artística em relação a obras audiovisuais que se apresentam de forma híbrida.
The research aimed to investigate and analyze the processes, poetics, methodologies, strategies and devices used in videodance creation, as well as to verify and analyze the relationship between videodance and urban space in the city of Cataguases (Minas Gerais, Brazil). It questions that aesthetic and methodological processes generated the products, videodances, which are fundamental in our digital age, since they contribute not only in the processes of creation, but also in the artistic diffusion, resulting in visibility and sustainability. The method adopted was practice-based research (Candy & Edmonds, 2010; Candy, 2006; Scrivener, 2000), a methodological proposal for research in art, which draws from practice as a research in which theory and practice always dialogue. In the methodology was developed a creative process in videodance, with dancers and researchers of the city. As a result of the research, four videodances were produced, and we highlight that among the strategies of creation, we had the exploration of the urban space through exercises that showed the relationship between dance, video and city, the contextualization of historical and cultural characteristics of modern present architecture in the urban space and the process, as a whole, took place in a collaborative way, a prominent feature in the artistic production in relation to audiovisual works that present themselves in a hybrid way.
The research aimed to investigate and analyze the processes, poetics, methodologies, strategies and devices used in videodance creation, as well as to verify and analyze the relationship between videodance and urban space in the city of Cataguases (Minas Gerais, Brazil). It questions that aesthetic and methodological processes generated the products, videodances, which are fundamental in our digital age, since they contribute not only in the processes of creation, but also in the artistic diffusion, resulting in visibility and sustainability. The method adopted was practice-based research (Candy & Edmonds, 2010; Candy, 2006; Scrivener, 2000), a methodological proposal for research in art, which draws from practice as a research in which theory and practice always dialogue. In the methodology was developed a creative process in videodance, with dancers and researchers of the city. As a result of the research, four videodances were produced, and we highlight that among the strategies of creation, we had the exploration of the urban space through exercises that showed the relationship between dance, video and city, the contextualization of historical and cultural characteristics of modern present architecture in the urban space and the process, as a whole, took place in a collaborative way, a prominent feature in the artistic production in relation to audiovisual works that present themselves in a hybrid way.
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Keywords
Videodança Novas mídias Espaço urbano Brasil