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Browsing CAC4-Vários by Author "Mendes Da Silva, Bruno"
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- Dialectical Polyptych: an interactive movie installationPublication . Mendes Da Silva, Bruno; António, Rui; Rodrigues, João; Tavares, MirianMost of the known video games developed by important software companies usually establish an approach to the cinematic language in an attempt to create a perfect combination of narrative, visual technique and interaction. Unlike most video games, interactive film narratives normally involve an interruption in time whenever the spectator has to make choices. “Dialectical Polyptych” is an interactive movie included in a project called “Characters looking for a spectactor”, which aims to give the spectator on-the-fly control over film editing, thus exploiting the role of the spectator as an active subject in the presented narrative. This paper presents an installation based on a mobile device, which allows seamless real-time interactivity with the movie. Different finger touches in the screen allow the spectator to alternate between two parallel narratives, both producing a complementary narrative, and change the angle or shot within each narrative.
- Ocupações midiáticas na cidade: uma análise sobre processo criativo em vídeodançaPublication . Mendes Da Silva, Bruno; Tavares, Carlos; Vieira, AlbaSince the invention of the camera and improvement of the scenic materials used in artistic creations we note that researchers, theoreticians and mainly artists have thought the arts since the beginning of the twentieth century in contact with the media. Another characteristic in the arts that is present in the new forms of artistic making is the transposition of borders, 21 Capítulo I – Cinema – Arte a place where artistic languages interact: graffi ti has invaded the streets, dance and theater have left the presentation rooms and artistic relations with the city and in the city present themselves as a small part of the possibilities that contemporary art has brought to the world. Between the intermiditic processes we have video, whereas hybrid language is the result of the addition between dance and video, it presents itself as a process that produces concepts, contaminates itself by a dancing aspect, and consequently contaminates all its aesthetics, and diff ers from the simple video recording. The present study aims to analyze aspects of inter - media relations based on a creative process and experimentation in videodance, where dance, video and modern architecture of the city of Cataguases (MG) interrelate.