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Advisor(s)
Abstract(s)
The question of time and its relation to cinema is the common thread in this paper. Through research based
on experimental practice, this paper explores, firstly, the psychosomatic processes that may give the viewer
different perceptions of time. Secondly, it describes the working process of a film that intends to provide the viewer with the possibility of intervening in the film narrative in a disruptive way, seeking the possibility of subverting the filmic discourse.
Description
Keywords
Time Interactivity Film narrative Surrealism